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Handpicked designs. Expected delivery 3-7 days. Always 14 days return policy
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Product description
Title: Altar
By Kip Gresham
Medium - screen pressure
Circulation - 26/70
Signed - Yes
Size - 560mm x 880mm
Date - 1986
Condition - Excellent. 10 out of 10.
The color of the print may differ from reality when viewed on a screen.
Kip Gresham is a master printer, publisher and artist. He has established several influential and highly productive printing studios and publishing houses. All are driven by his technical skills, experimentation and creative collaboration.
In his own practice, the nature of the materials is of crucial importance, and Kip explores the difference between intention and result, using methods of both extreme control and total lack of control. In his drawings, Kip has worked with graphite and varnish, where the graphite pencil is the simplest of tools, but sharp to reveal the artist's hand through the lines. Varnish is transparent and Kip has used this material by drawing without touching the paper. The resulting visual dialogue between the sharp and the uncontrollable is alluring. The underlying intent of each image is exactly the same, and in fact Kip creates each drawing twice, layer upon layer.
Item number: 1138
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Title: Altar
By Kip Gresham
Medium - screen pressure
Circulation - 26/70
Signed - Yes
Size - 560mm x 880mm
Date - 1986
Condition - Excellent. 10 out of 10.
The color of the print may differ from reality when viewed on a screen.
Kip Gresham is a master printer, publisher and artist. He has established several influential and highly productive printing studios and publishing houses. All are driven by his technical skills, experimentation and creative collaboration.
In his own practice, the nature of the materials is of crucial importance, and Kip explores the difference between intention and result, using methods of both extreme control and total lack of control. In his drawings, Kip has worked with graphite and varnish, where the graphite pencil is the simplest of tools, but sharp to reveal the artist's hand through the lines. Varnish is transparent and Kip has used this material by drawing without touching the paper. The resulting visual dialogue between the sharp and the uncontrollable is alluring. The underlying intent of each image is exactly the same, and in fact Kip creates each drawing twice, layer upon layer.
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